More photos of the beautiful spring we experienced in Seoul. This is just pictures—so scroll through and enjoy!
More photos of the beautiful spring we experienced in Seoul. This is just pictures—so scroll through and enjoy!
Part 1: On the campus of Seoul National University
Spring in Seoul (and no doubt other parts of South Korea) is a delightful time, especially for lovers of flowers and nature. It’s an explosion of colors, a riot of gorgeous blossoms of many kinds. We love spring in our town in Illinois, but somehow the flowering trees and the blooming shrubs in Seoul seemed to stand out more—perhaps because it’s a huge urban area, with so much concrete and many closely-clustered apartment blocks; while our town is less densely-populated and has many tree-lined avenues, so the contrast in spring in Seoul is much more obvious.
We were living on the campus of Seoul National University, south of the Han River. The campus was really gorgeous in April. Really noticeable were many cherry trees—white or very make pink— all across campus, and even more in the valley below—so many that looking down on them was like seeing a white cloud of blossoms below.
On campus and all across the city we also marveled at the bright azalea bushes, sometimes grouped in a single color but sometimes bushes of multiple colors all mixed together into a colorful whole.
Add yellow forsythia bushes, huge peonies, mixed flower beds and we get a floral paradise.
Here are just a few photos from our spring in Seoul—we took so many it was hard to choose! But, they give an idea of the gorgeous blooms and why we were so excited.
This first selection is on the campus of Seoul National University and many shots are of the prolific cherry trees.
Part 5—Final in Daehangno series: Shop names in Daehangno
Just for fun! Here are a few.
(Please note, I will be away in Paris for a week or so and may not be able to post on here for a couple of weeks. My apologies)
Part 4: Murals
Behind Maronnier Park many narrow streets lead uphill to much larger Naksan Park, passing through Ihwa Village.
Ihwa Village, still very much inhabited by locals, is known for its murals, created by “Art in the City” project. The murals began to appear in 2006 as the city ministry launched a project to develop the poor neighborhood as a tourist landmark with a unique atmosphere.
I visited some of the lower streets and the murals are really colorful and interesting. However, I also heard that many of the local residents are not at all happy with all the tourists who troop by, taking photos and making a lot of noise.
I guess that must always be a problem if public art is located in a somewhat private area.
Part 3 in the Daehangno District: Statues in Gardens of Arts Council of Korea
To one side of the park is The Arts Council of Korea (ARKO), housed in Arko Art Center (architecture by Kim Swoo-geun, 1977). Arko Art Center, which has become an important landmark in the Daehangno area, is one of the most representative works by Kim Swoo-geun, who wanted the building to be a “poem written with light and bricks”.
The building has exhibition spaces inside, where local artists of all kinds can have their works exhibited. There’s also a café, but I didn’t go into that.
An attractive garden surrounds two sides of the building and I found some fascinating outdoor sculptures in the garden, done by local artists. Here are two, as examples.
The first is called “Ecology Cycle”, 2005, by Lee Sangho (see below)
The second is “Outflowing Strength”, 1978, by Noh Jae Seung (see below)
Part 2 in Daehangno District, Seoul; Maronnier Park
Located on the former site of Seoul National University, Marronnier Park was opened in 1975 after the campus relocated to a new location in Gwanak and the area was redeveloped. I found a miniature replica of the university near the center of the park, which gives visitors an idea of what the area looked like before the university was moved.
Marronnier Park is named after many horse chestnut trees (marronniers) growing in the park (maronniers originated from the Mediterranean). The horse chestnut tree tradition began with three trees that were left when Seoul National University moved and most of the buildings were demolished.
This small park has become the center of Daehangno. It has pretty fountains, a large children’s playground and an open-air performance stage, used by street artists and young musicians or dancers. Every week, there are various different performances, both traditional and more modern. Many restaurants, galleries, museums and theaters cluster around the park and famous Daehangno Street starts from one corner of the park.
In the park is a coffee shop (where I stopped and it was very pleasant) and along the main street you’re very likely to see impromptu street stalls—the day I visited the park area, there was a large stall selling shoes, hundreds of shoes of all kinds, and many people were trying on shoes and buying.
You can also rent bicycles here (similar concept to the Vel’ibs in Paris), but I have to admit I would be way too afraid to try and ride in this traffic!
Daehangno District in Seoul
Get there on Metro Line 4, Hyehwa Station, exit 2.
Part 1: Introduction and Daehangno Street
Our Korean hosts at Seoul National University told us that the campus at Gwanak is relatively new and that it used to be located in Seoul city center. So, one day I decided to explore and find the original location. I did, and it turns out that this is a really interesting part of Seoul today—the center of performance culture, with a lovely park, and colorful murals.
Daehangno Street is the center of performance culture in Seoul, with over 150 small theaters. This area is called the “Play Mecca”, “Theater Mecca”, or “Young Street” as well. This is where you an enjoy theater and impromptu performances by young artists. Daehangno area bustles with people who come to enjoy plays or musicals or just to stroll along the streets and soak up the ambience, especially on car-free weekends. Not many performances are in English, but attending one can still be an enjoyable spectacle. There are also many restaurants, bars and movie theaters.
At first this district was popular with mainly the twenty-something crowd but now it attracts diverse age groups as well. Young people still dominate the scene, but more families with children and middle-aged couples are coming, due to the variety and abundance of attractions offered.
But the area was not originally planned as a theater district. Keijo Imperial University was located here, during the first half of the 20th century, when Korea was under Japanese occupation (Keijo, or Gyeongseong in Korean, was the colonial-era name of Seoul). When Korea was liberated from Japanese colonial rule in 1945, Seoul National University opened in its place. In 1975, the university’s College of Liberal Arts and Sciences and College of Law moved to its current Gwanak campus south of the Han River, and many of the school buildings were demolished.
But, the modern red brick building that had housed the College of Liberal Arts and Sciences was spared, plus three horse chestnut trees (marronnier) that are still reminders of the former university site. A park was created at this site, which people began to call Marronnier Park.
More red brick buildings were built around the park, to complement the previous university building. These include Munye Theater (current Arko Arts Theater), which opened in 1981. In the 1980s, many theater groups started moving to Daehangno. At the same time, movie theaters, live-cafes, regular cafes and pubs sprung up and the area developed into a cultural and entertainment center.
When the Seoul Metropolitan Government officially adopted the name Daehangno in 1985, it hoped to create a global cultural destination like Montmartre in Paris, once the world’s mecca of modern art; or Tokyo’s fashion hotspot Harajuku; or London’s Piccadilly Circus. Daehangno has become a theater district widely known among performing artists around the world, so maybe the city’s ambitions did come true!
Last time we were in Seoul, I met up with our Korean friend, JiHye and her daughter Sophia. We’ve known them for ages, since her husband did a Phd here with Rod. Sophia was born here in Urbana, and I’m her “unofficial American grandma”. We’ve kept in touch and see them whenever we go to Korea.
First we went to the Simone Handbag Museum (see here https://vivskoreanadventures.wordpress.com/2016/10/28/a-most-unusual-museum-to-handbags/ )
After lunch, Jihye wanted to take me to her favorite bookstore, a huge place called Kyobo Bookstore. It’s in Sinnonhyeon, in Gangnam, not far from the Gangnam Station. Gangnam is an upscale Seoul area just south of the Han River that runs through the city.
It was fascinating to wander around this enormous multi-storied bookstore, with every imaginable type of book and magazine, plus gift items. It was pretty crowded, so is obviously very popular and JiHye told me that books are still relatively cheap in Korea—in fact many other Korean students have told me the same thing.
We read to Sophia and she picked out a couple of books to buy, then I perused the section with books to learn English. The Korean people in general believe that it’s really important for them to learn English and put a lot of time, effort and money into doing that. English language institutes abound, and special schools and after-schools for children, even as young as pre-schoolers nowadays (they tell me these schools are really expensive).
There were not that many English or other language books per se, but interestingly all the sections in the store are marked in both Korean and English.
A fun afternoon.
This small walled park of about 5 acres, on the edge of Insadong (probably Seoul’s most popular tourist district), is a useful place to sit and relax if you’re in the area for shopping, or visiting Jogyesa Temple or Unhyeongung Palalce. It’s also very popular with retired folk, especially men, who seem to gather there to chat and perhaps play a board game while listening to music on their radios. We’ve been into this park numerous times and it’s fun to sit and people watch. In spring, the leafy greenness is made even more beautiful with beds of bright flowering azaleas.
Besides being a tranquil pretty green oasis in the midst of busy Seoul, Tapgol also has a fair bit of history attached to it, some very old and some relatively recent and certainly not peaceful.
Opened in 1897, Tapgol Park was Seoul’s first western-style park, designed by King Gojong’s financial advisor, an Irishman called John McLeavy Brown.
At first it was known as Pagoda Park or Tapdong Park, named after a 15th-century relic—a 1467 stone pagoda from the Wongaksa Buddhist Temple once located here. Tap in Korean means pagoda. The Temple was destroyed in 1504 on the orders of a Confucian king. The 10-tier, 12-meter-high pagoda is a treasure of Buddhist art, but it’s a little hard to see the wonderful carvings through the glass cage around it (but definitely better to preserve it).
Another monument in the park is the tortoise stele Monument of Wongaksa (see above) built in 1471 to commemorate the founding of Wongaksa Temple in 1465. On the front and back are calligraphy and inscriptions recording the story. The turtle-shaped base is granite and the body is marble. Two intricately carved intertwined dragons, rising toward the sky holding a Buddhist gem, top the monument.
The park is also a symbol of Korean resistance to Japanese colonial rule. Historical note: Korea became a Japanese Protectorate in 1905 and a colony in 1910. Korea was liberated in 1945 after the surrender of the Japanese forces to the Allies. Korea never took well to Japanese colonial rule and by all accounts Japan tried hard to suppress all that was typically Korean. Hence the resistance.
On March 1, 1919, Euiam Son Byeong-hui (leader of Donghak church, and educator) and 32 others signed and read aloud a Declaration of Independence under the 8-sided Palgakjeong Pavilion (see above). This was the first public display of resistance to the Japanese and sparked the March 1st Movement. They were all arrested and sent to the infamous Seodaemum Prison (which we visited on our last trip. More on that later). Many people throughout Korea protested against this, but the samil (March 1) movement was ruthlessly suppressed and hundreds of independence fighters were killed and thousands arrested in the park. Ten bronze bas-relief murals in stone frames around one edge of the park depict the heroic, but unsuccessful, struggle. They are well done and very evocative of what happened then. I took photos of most of the panels, so you can tell they made a big impression.
Every March 1st, a memorial service is held here. You can read an English copy of the Declaration on the Memorial Plaque near the entrance to the park. Just inside the entrance is a large paved plaza, with the Memorial on the right. It has the Declaration and statues of two of the heroes. Just to the side is a bronze statue of Son Byeong-hui.
Park is open daily 6am-8pm and is free. Vendors outside sell souvenirs, flags, and snacks. There are clean public restrooms in the park.
Subway: Lines 1,3, or 5 to Jongno 3-ga Station and take exit 1.
A small sample of Korean culture in Chicago. The fame of old Korean pottery has spread around the globe. We’ve seen a wonderful history of Korean pottery in the National Museum of Korea in Seoul, but here it is in Chicago too, at the Art Institute, one of the world’s top Art Museums.
We visited the Art Institute in Chicago (mainly to see the special exhibition on Van Gogh’s Bedrooms) on our way to Korea last April. So, we decided to also look at the Art Institute’s special small exhibit on Korean Goryeo Pottery/Celadon.
It was a small exhibit, but each piece is perfect, mostly the delicate green color, very shiny and exquisitely crafted. It’s wonderful to see masterpieces from so long ago, each one a true work of art.
There were many ewers, some with floral or bamboo themes, illustrating the importance that bamboo has played in Korean culture for so long (I recently wrote about a Korean Bamboo Park, see here https://vivskoreanadventures.wordpress.com/2016/04/06/damyang-bamboo-park-juknok-won/ ).
Korean pottery seems to be distinguished from other Asian pottery in that it’s green,
with an elegant classical style. The pieces were all made to be used by wealthy people—oil lamps, water jugs etc—to be used in the home or Temple.
Korea is very famous for pottery, so here’s a bit of background.
(Summary taken from the information boards in the Art Institute)
Over the last 2,000 years, Korean potters have created ceramics of amazingly diverse form and technique. Probably the most distinctive are celadon-glazed stonewares that were commissioned for use by the imperial court, aristocracy, and large Buddhist monasteries during the peaceful and prosperous Goryeo dynasty (918-1392).
Initially emulating celadon imported from China, Korean potters created a soft green-glazed ware by firing iron-rich clay coated with an iron-oxide glaze in a reduction (low oxygen) kiln. By the 12th century, they had created surfaces of previously unseen luminosity by adding porcelain stone to the glaze mixture. These Korean celadons display a radiant bluish green “kingfish er” glaze. This was either left pure or enhanced with decorative motifs that were gracefully carved or pressed into a mold. Designs painted in underglaze iron oxide created bolder effects.
The Goryeo potter’s most innovative contribution to the celadon tradition was inlaid decoration (sanggam). They created this by cutting designs into the unbaked clay and filling the grooves with creamy white and brown or reddish brown inlays. The white was primarily crushed quartz, and the darker color was melted and crushed glaze materials. The surface was then scraped smooth of excess inlay and the vessel glazed and fired. Inlaid designs include pictorial scenes, dynamically twisting dragons, and, very commonly, small, symmetrically placed chrysanthemum blossoms.
Most Goryeo celadons were elegant and functional vessels—wine ewers inspired by melons or bamboo, petal-lobed cups, and stands for wine or tea, small cosmetic basins, and flattened bottles possibly used for hair oils. The potter, however, also made intricately constructed and exuberantly fanciful pieces, such as the bird-shaped ewer (No 1 below).
No 1: Bird-shaped ewer with crowned rider holding a bowl. Goryeo dynasty, 12th century. In this whimsical ewer, an official with a formed head-dress rides astride a plump, crested waterbird. The birds’ wings are extended as if in flight and its tail swoops up to form the handle. Liquids could be poured into the round vessel held by the rider and out through the bird’s smiling beak.
Vase (Maebyong) with stylized floral sprays. Celadon-glazed stoneware with underglaze painting, 12th century (pic below).
Lobed vase with stylized floral scrolls. Celadon-glazed stoneware with underglaze painted decoration, 12th century (pic below).
Bottle with bamboo fluting. Celadon-glazed stoneware with underglaze carved and incised decoration, 13th century.
Gourd-shaped ewer with twisted rope handle, lotus leaves and floral sprays. Celadon-glazed stoneware and underglaze carved decoration, 12th century.
Ewer formed as a sprouting bamboo. Celadon-glazed stoneware with underglaze carved and incised decoration, 12th century.
Lobed cup and stand with chrysanthemum flower heads. Celadon-glazed stoneware with underglaze carved and incised decoration, 12th/13th century.
All delicately gorgeous! Master craftsmen so long ago.