Many Sculptures in the Park
I explained about the Seoul Olympic Park and the World Peace Gate in the previous post. Here I’ll focus on a few of the other sculptures dotted around.
As I said before, over 200 sculptures are scattered on the sprawling lawns in the south part of the park, close to the SOMA Museum and Baekje Museum. They were designed and made by sculptors from around the world, and are a great way of showcasing many different ideas. It’s fun to just stroll, looking at the sculptures, admiring some and being perplexed about others. Many people also like to have a picnic near the sculptures. This also became a popular location for movie and commercial TV filming.
Here are a few of the sculptures that we picked out—all 200 are interesting in some way but these seemed more memorable to us. For some, we have pictures but no description, as we couldn’t find the information plaque.
Dialogue, 1987 by Mohand Amara, Algeria. The sculpture shows the value of dialogue between people overcoming barriers such as geography, language, culture and politics. The Algerian artist believes that “art can be a great way of communication, such as how he can connect with Koreans through his work. The two people in the sculpture listen to each other. The sculpture shows the artist’s belief that people are able to not only realize the existence of each other, but also to achieve self-realization and transcend themselves.”
Family, 1987, by Augustin Cardenas, Cuba. The sculpture shows a family tied with love by simplifying a couple and their child into a singe organic entity. “It interacts with the surrounding landscape by keeping the balance between the bottom part, where somewhat geometric supports are and the top part where the human figures are compressed within several volumes.”
Garden Game, 1988, by Kenneth Armitage, United Kingdom. The artist made the sculpture considering the Olympic park as a single garden. The sculpture resembles a white wall, so that it could complement the sunlight in the park. The vertical configuration of the three people occupying a space in the simple square frame, and the movement of arms and legs, give it an overall rhythm and unification.
Butterfly, 1988 by Horea Flamandu, Rumania